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On a technical level, Arturo and Roy Ambriz’s “I Am Frankelda” is a stunning work of stop-motion animation. It’s inventive, unexpected and beautifully handcrafted. A prequel to the TV series “Frankelda’s Book of Spooks,” it’s the first Mexican film made entirely using stop-motion, and it’s the kind of work you could happily watch with the sound off just to marvel at the artistry on display. However, the storytelling never matches the visuals as the plodding narrative struggles to get off the ground. It’s a movie that’s constantly telling you stakes and what the characters want but rarely letting you invest in a shared sense of wonder. Instead, you have a film that announces the connection between reality and imagination without letting the images speak for themselves.  Set in the mid-19th century in Mexico, we follow young Francisca Imelda (Habana Zoé), who seeks to be a writer despite the constant discouragement from her peers and grandmother. The stories Francisca writes feed into the realm Topus Terrenus, a land of delightful horrors that rely on the nightmares of humans. However, the young prince Herneval (Juan Pablo Monterrubio) can see his kingdom is struggling since its “nightmare-teller” Procustes (Luis Leonardo Suárez) continues to…

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